Audix DP Elite 8 piece Drum Mic Pack

£1,999.00

JustDrums can deliver a tasty Audix Drum Mic right to your door ! The Audix DP Elite 8 piece Drum Mic Pack is available with our total roadie service. This Drum Mic is a New product, it’s In stock and ready to go. Read more below for images, specifications and some of the best prices in the UK.

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Description

Audix Drum Microphones

Are you looking to mic your drum set-up and don’t know where to start? Take a good look at the DP Elite 8 piece Drum Mic Pack from Audix and see how your performance can be enhanced. Combining a variety of eight microphones, every aspect of your 5-piece kit will be covered! These mics perform under a live-playing and studio envrionments, making them extremely versatile, while the D6, (Audix’s flagship kick drum mic), two-D2’s (for rack toms), one D4 (for your floor tom), the i5 (for snare), a pair of SCX1C’s (for overhead miking), and the SCX1-HC (for high-hats) provide you with clarity and definition engineered for every frequency and dynamic.

Here’s what Audix say about the Audix DP Elite 8 piece Drum Mic Pack:

The DP Elite 8, as the name implies, is the ultimate combination of 8 microphones needed to mic up a 5 piece drum kit. All mics perform equally well whether it be on a live stage or in the studio. . Included in the DP Elite 8 drum mic package is the D6, Audix’s flagship kick drum mic, two- D2’s for rack toms, one D4 for floor tom, the i5 for snare, a pair of SCX1C’s for overhead miking, and the SCX1-HC for high-hat. Also included are four D-Vice rim mount clips for the snare and tom mics, and three heavy duty tension fit mic clips for the SCX1 microphones. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use.

Individual Mic descriptions:

D6 – Kick Drum
The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the “sweet spot” of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today’s live stages and recording studios.

i5 – Snare
The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5’s cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.

D2 (two) – Rack Toms
For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounding harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.

D4 – Floor Tom
The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies. In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size.  The D4 is very linear in response and can be considered the most versatile of the D-Series microphones.

SCX1C  (two) – Overheads
The SCX1-C, a pencil condenser requiring 48-52 Volts phantom power, is a highly sensitive microphones that will provide imagining and audio detail beyond your expectations. Characterized with a cardioid pickup pattern and a smooth uniform response over a frequency range of 40Hz-20kHz, the SCX1-C has been a secret weapon for many sound engineers who have become envious for their drum sound.

SCX1HC – High Hat
The SCX1-HC is considered by a growing number of sound engineers and artists as the very best possible choice for high-hat, providing a level of detail and realism that is astonishing. Characterized with a hypercardioid pickup for isolation and feedback control, the SCX1HC features a machined brass body, low noise electronics, and black e-coat finish, and modular threaded capsule.

Specifications:

  • 1-D6 with DCLIP
  • 1-i5  with DVICE rim mount clips
  • 2-D2 with DVICE rim mount clips
  • 1-D4 with DVICE rim mount clip
  • 2-SCX1C with DCLIPS and windscreens
  • 1-SCX1HC with DCLIP and windscreen
  • 1 Aluminum road case

Additional information

Weight 10 kg

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Brand

Audix

Audix is a professional microphone manufacturer best known for its close association with drums, percussion, and live sound. The brand has earned a strong reputation for producing microphones that can handle high sound pressure levels while delivering clear, focused sound, making them a staple on drum kits in studios and on stages around the world.

Audix microphones are commonly used on kick drum, snare, toms, and overheads, with models designed specifically to capture punch, attack, and detail without excessive bleed. Their drum mic kits are especially popular with gigging drummers and engineers because they are easy to position, rugged enough for touring, and consistently reliable night after night.

Beyond drums, Audix also produces microphones for vocals, guitar amps, broadcast, and installed sound, but drumming remains at the heart of the brand’s identity. For players and engineers who want dependable, purpose-built microphones that work straight out of the box, Audix is widely regarded as a trusted and practical choice.

Category

Drum Microphones

Drum microphones are designed to capture the power, detail, and dynamics of a drum kit in both live and studio environments. Because drums produce fast transients and very high sound pressure levels, dedicated drum mics are built to handle impact and volume while delivering clear, controlled sound.

Different microphones are used for different parts of the kit. Kick drum microphones focus on low-end weight and attack, snare and tom mics capture punch and articulation, and overhead microphones provide balance, cymbal detail, and a sense of space. Room microphones are often added to capture ambience and depth, especially in studio recordings.

Drum microphones are chosen based on sound character, placement flexibility, and reliability. Whether used individually or as part of a matched drum mic kit, the right microphones make it easier to achieve a balanced, professional drum sound for live gigs, rehearsals, home recording, and full studio productions.

Tags

Drum Mic

A good drum mic should capture clear punch and detail without distortion, control bleed from nearby drums and cymbals, and be easy to position securely on rims or stands. Durability is also important, especially for live use, along with a sound character that suits the drum’s role, such as focused low end for kick, crisp articulation for snare, and balanced detail for toms and overheads.

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