DPA 4055 Kick Drum Microphone

£540.00

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Description

DPA Drum Microphones

The DPA 4055 Kick Drum Microphone redefines kick drum capture with its innovative design and exceptional sound quality. Engineered to reproduce the true, uncoloured sound of a bass drum, this microphone boasts a flat frequency response that gives audio professionals full control over tonal shaping. Whether placed inside the drum for focused attack or outside for deep low-end resonance, the 4055 excels across all musical genres, from jazz to rock to classical. Its unique asymmetric build allows for effortless positioning through the drum head hole without damaging the resonator skin. Designed for demanding live environments, it features a large, robust housing with built-in wind damping and a specially developed shock mount, ensuring minimal handling noise and maximum source clarity. Beyond the kick drum, the 4055’s versatility shines on electric guitar cabinets, bass instruments and horns, delivering consistent, transparent audio. With this mic, DPA gives sound engineers the power to create and define their sound without compromise.

Key Features:

  • True-to-source sound reproduction:
    Delivers the clear, natural sound of the kick drum with linear frequency response, both on and off axis.
  • Rugged and road-ready design:
    Built with a sturdy housing, wind damping and shock mounting for consistent performance on live stages.
  • Versatile positioning capability:
    Asymmetric shape allows easy placement inside or outside the drum, with angle adjustments for tonal flexibility.

Tailor Your Sound with Precision:

Unlike many kick drum microphones that are pre-tailored for a specific genre or tone, the DPA 4055 provides a neutral, flat frequency response. This allows engineers to sculpt the sound based on the exact character they want to achieve. Want a punchy beater sound? Place it inside the drum and aim at the beater. Need low-end depth? Position it just outside the front head. The microphone captures it all with clarity and balance, making it a go-to solution for professionals seeking full sonic control.

Engineered for the Live Stage:

Designed to perform under pressure, the 4055 is housed in a large, durable shell that protects its sensitive internal components. Wind damping foam and an internal shock mount system eliminate unwanted noise from stage vibrations and air movement. This ensures that only the intended sound is captured, even in the most demanding performance settings. Whether on tour or in a high-volume venue, the 4055 remains reliable, focused and true to the source.

Beyond the Kick Drum:

The 4055 is not just for bass drums. Its accurate, uncoloured capture makes it an excellent choice for other instruments too. Use it on electric guitar cabinets for tight mids and highs, or on brass and low frequency instruments where detail and depth are key. Thanks to its linear response and dynamic range, this microphone adapts effortlessly, giving engineers a flexible tool for both studio and live applications across a wide array of musical styles.

Specifications:

  • Directional Pattern: Cardioid
  • Frequency Range: 20 Hz to 20 kHz
  • Max SPL: 164 dB
  • Connectivity: 3-pin XLR (standard)
  • Housing: Robust metal body with internal shock mount
  • Included Accessories: Microphone holder, carry pouch
  • Application: Kick drums, guitar amps, bass, horns
  • Weight: 250 g
  • Dimensions: 102 mm length, 44 mm diameter

Additional information

Weight 1 kg

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Brand

DPA

Category

Drum Microphones

Drum microphones are designed to capture the power, detail, and dynamics of a drum kit in both live and studio environments. Because drums produce fast transients and very high sound pressure levels, dedicated drum mics are built to handle impact and volume while delivering clear, controlled sound.

Different microphones are used for different parts of the kit. Kick drum microphones focus on low-end weight and attack, snare and tom mics capture punch and articulation, and overhead microphones provide balance, cymbal detail, and a sense of space. Room microphones are often added to capture ambience and depth, especially in studio recordings.

Drum microphones are chosen based on sound character, placement flexibility, and reliability. Whether used individually or as part of a matched drum mic kit, the right microphones make it easier to achieve a balanced, professional drum sound for live gigs, rehearsals, home recording, and full studio productions.

Tags

Drum Mic

A good drum mic should capture clear punch and detail without distortion, control bleed from nearby drums and cymbals, and be easy to position securely on rims or stands. Durability is also important, especially for live use, along with a sound character that suits the drum’s role, such as focused low end for kick, crisp articulation for snare, and balanced detail for toms and overheads.

Kick Mic

A kick mic is designed to capture the low-end power and attack of a bass drum, translating physical impact into a clear, punchy sound. It controls deep frequencies while emphasising beater definition, helping the kick drum cut through a mix without sounding muddy. A good kick mic anchors the rhythm, adds weight to the groove, and keeps the low end tight and controlled in both live and studio settings.

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