DSM and Humboldt Sub Atomic Bass Preamp Pedal

£269.00

JustDrums can deliver a tasty DSM Tom Mic right to your door ! The DSM and Humboldt Sub Atomic Bass Preamp Pedal is available with our total roadie service. This Tom Mic is a New product, it’s In stock and ready to go. Read more below for images, specifications and some of the best prices in the UK.

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Description

DSM Drum Microphones

The Subatomic preamp is an all-analogue 2-channel preamp designed to bring the most brutal bass tones. Cascading CMOS stages with parallel processing for natural low frequencies makes it an effective tool for playing distorted bass tones with definition and full-bodied response.

Key Features

  • Versatile Tones – 2-channel preamp “clean” and “Sub Atomic”.
  • Cab Sim – The Sub Atomic features an optional analogue 8×10 Cab Sim with effects loop to ensure shaping your ultimate bass tone is always at hand.
  • No Menu Diving – Change settings on the fly with full control, and no menus for ease of use!

2 Channels

The clean channel brings the subtle compression and tube-like response of CMOS stages to warm up your tone, and the Subatomic drive channel has a very aggressive distortion with a clean blend. Both channels share the 3-band passive EQ to get the most ample range of tones out of this versatile device.

XLR & Cab Sim

But that’s not all. We included an XLR DI out with switchable analogue cabinet simulation of a huge 8×10 fridge and an FX loop, so you won’t need an external DI box when using post-drive effects.

Specifications

  • Clean Channel Controls: Gain and Tone
  • Subatomic Channel Controls: Gain, Voicing Switch, Sub Blend, Sub Low-pass filter switch (Off, 100Hz, 500Hz) and Level
  • EQ: 3 Band EQ with 80Hz, 500Hz and 2kHz
  • Output: ¼” or XLR balanced Output with optional analogue cabinet simulator
  • Bypass: soft footswitch
  • Channel: soft footswitch
  • Power: 9v DC

Additional information

Weight 1 kg

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Brand

DSM

Category

Drum Microphones

Drum microphones are designed to capture the power, detail, and dynamics of a drum kit in both live and studio environments. Because drums produce fast transients and very high sound pressure levels, dedicated drum mics are built to handle impact and volume while delivering clear, controlled sound.

Different microphones are used for different parts of the kit. Kick drum microphones focus on low-end weight and attack, snare and tom mics capture punch and articulation, and overhead microphones provide balance, cymbal detail, and a sense of space. Room microphones are often added to capture ambience and depth, especially in studio recordings.

Drum microphones are chosen based on sound character, placement flexibility, and reliability. Whether used individually or as part of a matched drum mic kit, the right microphones make it easier to achieve a balanced, professional drum sound for live gigs, rehearsals, home recording, and full studio productions.

Tags

Tom Mic

A tom mic is designed to capture the full body and attack of tom drums while controlling bleed from nearby cymbals and snare. It delivers focused punch, clear tone, and consistent response across fills and grooves, helping toms sound powerful and defined in a mix. A good tom mic makes toms translate cleanly in both live and studio settings, preserving impact without unwanted noise.

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