Lewitt DTP 640 REX Dual-Capsule Kick Drum Microphone

£289.00

JustDrums can deliver a tasty Lewitt Kick Mic right to your door ! The Lewitt DTP 640 REX Dual-Capsule Kick Drum Microphone is available with our total roadie service. This Kick Mic is a New product, it’s In stock and ready to go. Read more below for images, specifications and some of the best prices in the UK.

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Description

Lewitt Drum Microphones

Here's what Lewitt say about the DTP-640 REX

Double capsule for twice the kick

Dual-element kick drum microphone with switchable sound characteristics. Suitable for all bass-heavy applications.

Thanks to its Dual-Element Technology and fine-tuned frequency responses the DTP 640 REX offers unparalleled, powerful sound that will impress drummers and sound engineers alike. The DTP 640 REX is equipped with a high-quality dynamic element and a condenser element – the dynamic element ensures accurate reproduction of the bass drum kick, while the condenser element captures the rich low frequency sound of the drum’s shell. In order to guarantee full control over the two elements, they can be mixed, each using its own channel.

The DTP 640 REX provides 3 sound-shaping modes: "Linear" captures the sound in a natural way. "Dynamic Enhanced Frequency Response" has the dynamic element boosts frequencies between 3 and 5 kHz while the condenser stays neutral. "Dual Enhanced Frequency Response" delivers the ultimate full-bodied sound by having the dynamic element focuses on the 3 and 5 kHz-range while the condenser element focuses on frequencies from 70 to 150 Hz to deliver full body sound. Each element has its output! Combining these features with the comprehensive tonal freedom of Dual-Element Technology opens up a wide range of use, turning the DTP 640 REX into a universal tool for bass-heavy applications.

Massive Sound for your Kick Drum

Put more Boom in your Cha!
The DTP 640 REX features an innovative dual element design, that combines a dynamic and a condenser capsule in one housing. Switchable frequency responses make for kick-drum sounds that are rich and intense or flat and neutral. In order to ensure full control over the two elements, each has a dedicated output.

Dual-Element Technology
Dynamic and condenser in one
We have put two perfectly phase aligned microphones in one housing. This enables you to shape the kick drum sound in unique ways. The dynamic element ensures accurate reproduction of kick drum attack, while the condenser element captures the drum's low end. Each element has a dedicated output.

Enhanced Frequency Response

3 sound-shaping modes

Dynamic =//= Condenser
Both elements with neutral frequency response.

Dynamic +//= Condenser
Dynamic element boosts frequencies between 3 and 5 kHz, condenser stays neutral.

Dynamic +//+ Condenser
Dynamic for range 3-5 kHz, condenser for frequencies 70-150 Hz to deliver full bodied sound.

Sturdy metal enclosure

  • Solid die-cast metal body
  • Hardened hexagonal ruthenium-galvanized steel mesh grille
  • Integrated stand adapter for quick and easy mounting and positioning

Specifications

  • Type: Dynamic, moving coil, Condenser, permanently polarized
  • Acoustical operating principle: Pressure gradient transducer
  • Polar pattern: Cardioid
  • Frequency range (dynamic): 20 … 16,000 Hz
  • Frequency range (condenser): 20 … 20,000 Hz
  • Rated impedance dynamic: 500 Ω
  • Rated impedance condenser 200 Ω
  • Connector: Gold plated 3-pin XLR
  • Microphone dimensions: 41 dia. x 94 mm, 1.6 dia. x 3.7 in
  • Microphone net weight: 165 g, 5.82 oz

Additional information

Weight 2 kg

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Brand

Lewitt

Lewitt is a modern microphone manufacturer known for combining clean, detailed sound with contemporary engineering and design. The brand focuses on creating microphones that are easy to use, technically precise, and well suited to today’s recording and live sound environments.

Lewitt microphones are commonly used for drums and percussion, particularly for overheads, room mics, and close miking where clarity and fast transient response are important. Their designs capture detail and attack accurately while remaining controlled and musical, making them suitable for studio recording, home setups, and live performance. Many engineers appreciate Lewitt microphones for delivering a polished sound without excessive coloration.

The brand places strong emphasis on innovation, quality control, and practical features that support real-world use. For drummers and producers looking for modern microphones that offer accuracy, reliability, and a fresh approach to sound capture, Lewitt has become a widely respected choice.

Category

Drum Microphones

Drum microphones are designed to capture the power, detail, and dynamics of a drum kit in both live and studio environments. Because drums produce fast transients and very high sound pressure levels, dedicated drum mics are built to handle impact and volume while delivering clear, controlled sound.

Different microphones are used for different parts of the kit. Kick drum microphones focus on low-end weight and attack, snare and tom mics capture punch and articulation, and overhead microphones provide balance, cymbal detail, and a sense of space. Room microphones are often added to capture ambience and depth, especially in studio recordings.

Drum microphones are chosen based on sound character, placement flexibility, and reliability. Whether used individually or as part of a matched drum mic kit, the right microphones make it easier to achieve a balanced, professional drum sound for live gigs, rehearsals, home recording, and full studio productions.

Tags

Drum Mic

A good drum mic should capture clear punch and detail without distortion, control bleed from nearby drums and cymbals, and be easy to position securely on rims or stands. Durability is also important, especially for live use, along with a sound character that suits the drum’s role, such as focused low end for kick, crisp articulation for snare, and balanced detail for toms and overheads.

Kick Mic

A kick mic is designed to capture the low-end power and attack of a bass drum, translating physical impact into a clear, punchy sound. It controls deep frequencies while emphasising beater definition, helping the kick drum cut through a mix without sounding muddy. A good kick mic anchors the rhythm, adds weight to the groove, and keeps the low end tight and controlled in both live and studio settings.

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